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DTSTART;VALUE=DATE:20240406
DTEND;VALUE=DATE:20240729
DTSTAMP:20260404T071755
CREATED:20231024T155648Z
LAST-MODIFIED:20240708T170822Z
UID:10075-1712361600-1722211199@2024.artdesignchicago.org
SUMMARY:Victoria Martinez: Braiding Histories
DESCRIPTION:This one-person exhibition features the art of Chicago-based creative Victoria Martinez\, who works in a variety of materials and scales\, drawing inspiration from the body\, the urban environment\, architecture\, and graffiti.
URL:https://2024.artdesignchicago.org/event/victoria-martinez-braiding-histories/
LOCATION:Chicago Cultural Center\, 78 E. Washington St.\, Chicago\, IL\, 60602
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/8_victoria_martinez-4.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240406
DTEND;VALUE=DATE:20241028
DTSTAMP:20260404T071755
CREATED:20231028T195635Z
LAST-MODIFIED:20240708T143618Z
UID:10216-1712361600-1730073599@2024.artdesignchicago.org
SUMMARY:The United Colors of Robert Earl Paige
DESCRIPTION:Longstanding artist\, educator\, and designer Robert Earl Paige believes beauty should be accessible all around us for everyone to experience. This exhibition presents a survey of textiles\, drawings\, tiles\, prints\, and other works that spans over half a century of Paige’s prolific creative practice and aims to encourage us to make art every day. The solo show is the largest presentation of the Chicago native’s work to date\, featuring Paige’s popular fabric work while debuting recent clay\, wall/floor paintings\, and collage work made during his Radicle Residency at Hyde Park Art Center in 2022–23.  \nParapluie\, a companion exhibition in an adjacent gallery\, features the works of local artists Paige identifies as being in his peer-to-peer creative network. The parapluie\, or umbrella in French\, is how Paige describes the circles of artists that mutually support each other and regularly exchange ideas\, skills\, solutions\, and materials.
URL:https://2024.artdesignchicago.org/event/the-united-colors-of-robert-earl-paige/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Ave.\, Chicago\, IL\, 60615\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/53270517330_8fa9157cb2_k-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240406
DTEND;VALUE=DATE:20241028
DTSTAMP:20260404T071755
CREATED:20240216T175709Z
LAST-MODIFIED:20240220T155651Z
UID:10909-1712361600-1730073599@2024.artdesignchicago.org
SUMMARY:Parapluie
DESCRIPTION:As part of The United Colors of Robert Earl Paige\, the Hyde Park Art Center presents this companion exhibition in an adjacent gallery that features the works of local artists Paige identifies as being in his peer-to-peer creative network. The parapluie\, or umbrella in French\, is how Paige describes the circles of artists that mutually support each other and regularly exchange ideas\, skills\, solutions\, and materials. \nOver the years\, Paige has amassed a group of makers and friends\, who he deeply admires and respects for their commitment to craftsmanship\, object invention and advice. This exhibition highlights functional and sculptural artwork selected by Paige and made by artists Lori Bartman\, Matty DeVita\, Espi Frazier\, Malika Jackson\, Turtel Onli\, Brian Parris\, Tony Smith\, Dorian Sylvain\, and Bernard Williams. \nThe idea of the parapluie is inspired by the Omega Workshops (London 1913-1919)\, an applied arts company that sold objects and fabrics by artists and designers to erase boundaries between decorative art and fine art with a modernist aesthetic.  In conjunction with his solo exhibition\, Paige invited these artists to present their work that relates to his enthusiasm for color\, pattern\, and purpose-driven design. There is no hierarchy between art\, craft\, design and function in this exhibition. Instead\, the artists included in Parapluie uphold the idea that beauty is all around us and should be accessible to everyone.
URL:https://2024.artdesignchicago.org/event/parapluie/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Ave.\, Chicago\, IL\, 60615\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/02/Bernard-Williams-Mysterious-Universe-2017-52_x64_-acrylic-on-canvas-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240412
DTEND;VALUE=DATE:20240812
DTSTAMP:20260404T071755
CREATED:20231029T142514Z
LAST-MODIFIED:20240404T162731Z
UID:10271-1712880000-1723420799@2024.artdesignchicago.org
SUMMARY:Arte Diseño Xicágo II • From the World’s Fair to the Present Day
DESCRIPTION:This exhibition examines the 1893 World’s Fair as a platform for expressions of cultural identity and reveals how many Chicago and Mexican artists had similar objectives. The exhibition features 19th-century works of art from both Chicago and Mexico by some of the leading artists participating in the World’s Fair\, along with contemporary artworks by Mexican-born\, Chicago-based artists whose art reflects their transnational experiences.
URL:https://2024.artdesignchicago.org/event/arte-diseno-xicago-ii-from-the-worlds-fair-to-the-present-day/
LOCATION:National Museum of Mexican Art\, 1852 W. 19th St\, Chicago\, IL\, 60608\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/JoseJara_FundacionMexico.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240414
DTEND;VALUE=DATE:20241103
DTSTAMP:20260404T071755
CREATED:20240328T144256Z
LAST-MODIFIED:20240418T184303Z
UID:11282-1713052800-1730591999@2024.artdesignchicago.org
SUMMARY:Indelible ORIGINS | Place + People
DESCRIPTION:Architecture creates an indelible mark on the landscape; buildings speak to the culture of the people. We are tied together by the stories of our lives and the places we’ve experienced\, marking indelible moments in time. The GREYSTONE Collective is an established Home + Studio for Black Queer + Trans Makers. Indelible ORIGINS celebrates the odyssey of Place + People preserved in the built environment of an early 19th-century “GREYSTONE” as a cultural laboratory located in the heart of Bronzeville\, Chicago’s landmark Black Metropolis. \nIndelible ORIGINS | Place + People is a four-part public engagement series (The BLACK Domestic Living & Dining Roomscapes\, Venerate! Venerate!\, Why WE are Here\, THE Artisanal Roomscape LABORATORY)\, organized by Founder | Creative Placemaker Clemenstien Love\, celebrating the identity and creative narratives of The GREYSTONE Collective’s artists\, makers\, and guest collaborators while establishing ancestral ties to the neighborhood’s historical Black makers—Ida B. Wells\, Richard Wright\, Gwendolyn Brooks\, and Margaret Burroughs. Through its combined histories (who\, what\, why\, how and where)\, The GREYSTONE Collective endeavors to have a cultural impact on Chicago’s South Side—today and tomorrow.   \nIndelible ORIGINS | Place + People is supported by Hyde Park Art Center’s Artists Run Chicago Fund as part of Art Design Chicago. \nPlease email The GREYSTONE Collective to make an appointment to view the exhibition.
URL:https://2024.artdesignchicago.org/event/indelible-origins-place-people/
LOCATION:The GREYSTONE Collective\, 4733 South Forrestville Avenue\, Chicago\, IL\, 60615\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/03/IO-1-1.webp
ORGANIZER;CN="The GREYSTONE Collective":MAILTO:thegreystonecollective@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240420
DTEND;VALUE=DATE:20240812
DTSTAMP:20260404T071755
CREATED:20231029T144948Z
LAST-MODIFIED:20240405T174848Z
UID:10263-1713571200-1723420799@2024.artdesignchicago.org
SUMMARY:Christina Ramberg: A Retrospective
DESCRIPTION:This retrospective celebrates the remarkable career of Christina Ramberg (1946–1995)\, best known for her stylized paintings of fragments of the female body that critique physical and social constraints. Ramberg’s work\, a hallmark of Chicago Imagism\, stands out with its gripping yet enigmatic aesthetic\, evolving from early technical depictions of women’s hairstyles to mature pieces exploring truncated female torsos bound within garments for the male gaze. This survey features approximately 100 works from public and private collections that span the artist’s career\, including 65 paintings\, traditional and experimental quilts\, and works on paper. Christina Ramberg: A Retrospective is the first comprehensive monographic exhibition mounted after the artist’s death nearly 20 years ago.
URL:https://2024.artdesignchicago.org/event/christina-ramberg-a-retrospective/
LOCATION:Art Institute Chicago\, 111 S Michigan Ave\, Chicago\, IL\, 60603\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/J15621-int-Web-72ppi-2000px-sRGB-JPEG.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240504
DTEND;VALUE=DATE:20240728
DTSTAMP:20260404T071755
CREATED:20240308T222834Z
LAST-MODIFIED:20240605T141528Z
UID:11012-1714780800-1722124799@2024.artdesignchicago.org
SUMMARY:Opening Passages: Photographers Respond to Chicago and Paris - Experimental Station
DESCRIPTION:Presented as part of Opening Passages: Photographers Respond to Chicago and Paris\, this outdoor installation takes place at Experimental Station in Chicago’s Woodlawn neighborhood. It shows photographs by two artists living and working on Chicago’s South Side\, zakkiyyah najeebah dumas-o’neal and Tonika Lewis Johnson\, with a series of images produced along the Paris transit system by Assia Labbas. Together\, these images invite us to reflect on how the histories of racial and socioeconomic division within each city have shaped the relationship between center and periphery and the particular connection each of us has to public spaces.   \nzakkiyya najeebah dumas-o’neal creates quietly radical art that advances the possibility of Black autonomy and self-determination from within the historically fraught terrain of landscape art. The artist combines still and moving images of bodies of water with archival images drawn from her own family and other community-built collections on Chicago’s South Side.  \nIn 2018\, Tonkia Lewis Johnson posed a simple question to a group of teenagers of color living on Chicago’s South Side: “Where have you felt that you did not belong?” She made portraits of them in the places they described that she supplemented with audio recordings of their stories. At the invitation of Ateliers Médicis\, she transformed her Belonging series into a transatlantic dialogue about racial divisions in the urban landscape.  \nA Greater Paris-based journalist and artist\, Assia Labbas followed regular commuters on the B line of the RER\, which is a high-speed train service linking Paris to the suburbs. The photographs\, taken through the windows of the train\, reflect the scale of the region’s often striking socio-economic disparities.  \nProduced by Villa Albertine\, Opening Passages is a city-wide\, multi-site photographic exhibition featuring recent works by ten American and French artists who are interested in the dynamic social landscapes of Chicago and Paris. Selections from all participating artists are currently on view together downtown at the Chicago Cultural Center\, while site-specific installations like this one highlight intersections between artists whose work resonates with similar themes or particular areas within each city.
URL:https://2024.artdesignchicago.org/event/opening-passages-photographers-respond-to-chicago-and-paris-4/
LOCATION:Experimental Station\, 6100 S. Blackstone Ave.\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/03/zakkiyyah-najeebah-dumas-oneal.webp
ORGANIZER;CN="Villa Albertine":MAILTO:axelle.moleur@frenchculture.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240504
DTEND;VALUE=DATE:20241007
DTSTAMP:20260404T071755
CREATED:20240308T200111Z
LAST-MODIFIED:20240801T162410Z
UID:10172-1714780800-1728259199@2024.artdesignchicago.org
SUMMARY:Opening Passages: Photographers Respond to Chicago and Paris - Chicago Cultural Center
DESCRIPTION:This multi-site photographic exhibition presents recent works by ten artists who engage with the dynamic social landscapes of Chicago or Paris\, staging a cross-cultural reflection on contemporary life in two global cities. The artists presented are Chicago-based artists Marzena Abrahamik\, Jonathan Michael Castillo\, zakkiyyah najeebah dumas o’neal\, Tonika Johnson and Sasha Phyars-Burgess\, and Greater Paris-based Gilberto Güiza-Rojas\, Karim Kal\, Assia Labbas\, Marion Poussier\, and Rebecca Topakian. \nThe unique approaches of the photographers consider the historic processes of urban redefinition taking place in both cities. Their photography\, whether documentary or poetic\, enables each artist to reflect with accuracy and subtlety the issues and identities specific to each city\, as well as their differences\, similarities\, and the transformations at work. Through a series of events organized in the various exhibition venues in the presence of the photographers\, the exhibition organizers aim to ensure a coherent dialogue between the works and their environment\, to create the conditions for a transatlantic conversation among the artists\, and to catalyze a fruitful exchange with the public. \nThe Chicago Cultural Center hosts the main exhibition\, featuring the work of all ten photographers. Three other venues―BUILD Chicago\, Experimental Station\, and 6018North―exhibit a subset of the artists whose work resonates particularly with the neighborhoods in which these institutions are located and the communities they serve. Related events include screenings\, workshops and conversations.
URL:https://2024.artdesignchicago.org/event/opening-passages-photographers-respond-to-chicago-and-paris/
LOCATION:Chicago Cultural Center\, 78 E. Washington St.\, Chicago\, IL\, 60602
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/On-est-la-c-Marion-Poussier-5.webp
ORGANIZER;CN="Villa Albertine":MAILTO:axelle.moleur@frenchculture.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240518
DTEND;VALUE=DATE:20241027
DTSTAMP:20260404T071755
CREATED:20231029T134508Z
LAST-MODIFIED:20240503T172200Z
UID:10210-1715990400-1729987199@2024.artdesignchicago.org
SUMMARY:What is Seen and Unseen: Mapping South Asian American Art in Chicago
DESCRIPTION:Presented by South Asia Institute and guest curated by Shelly Bahl\, this multifaceted project documents the history of South Asian art and artists in Chicago and shares this history through an archival exhibition and an installation of contemporary art. The narrative begins with colonial-era perspectives\, including those reflected in documentation and photographs from the Indian Pavilion at the 1893 World’s Columbian Exposition\, and continues through the past 25 years\, documenting South Asian American artists’ participation in exhibitions and programs throughout the city.
URL:https://2024.artdesignchicago.org/event/seen-and-unseen-south-asian-american-art-in-chicago/
LOCATION:South Asia Institute\, 1925 S. Michigan Ave.\, Chicago\, IL\, 60616
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/Lala-Rukh.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240518
DTEND;VALUE=DATE:20251103
DTSTAMP:20260404T071755
CREATED:20231029T140918Z
LAST-MODIFIED:20250324T140944Z
UID:10273-1715990400-1762127999@2024.artdesignchicago.org
SUMMARY:Designing for Change: Chicago Protest Art of the 1960s–70s
DESCRIPTION:Chicago activists in the 1960s and ’70s used design to create powerful slogans\, symbols\, and imagery to amplify their visions for social change. Designing for Change: Chicago Protest Art of the 1960s–70s features more than 100 posters\, fliers\, signs\, buttons\, newspapers\, magazines\, and books from the era\, expressing often radical ideas about race\, war\, gender equality\, and sexuality that challenged mainstream culture of the time. \nAs racism\, war\, gender inequality\, and LGBTQIA+ discrimination remain enduring issues shaped by today’s complex world\, visitors to the exhibition find works from a new generation of artivists upholding the city’s rich legacy of protest art to fight for social change.
URL:https://2024.artdesignchicago.org/event/designing-for-change-chicago-protest-art-in-the-1960s-70s/
LOCATION:Chicago History Museum\, 1601 N. Clark St.\, Chicago\, IL\, 60614
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/CDC884-i077685_pm-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240603
DTEND;VALUE=DATE:20250430
DTSTAMP:20260404T071755
CREATED:20231029T190235Z
LAST-MODIFIED:20241218T172227Z
UID:10342-1717372800-1745971199@2024.artdesignchicago.org
SUMMARY:Akito Tsuda: Pilsen Days
DESCRIPTION:This exhibition makes visible the photograph collection of Japanese photographer Akito Tsuda\, who documented Chicago’s Mexican American Pilsen neighborhood in the early 1990s while attending art school at Columbia College. It also explores the relationships between the photographer and his subjects over time.
URL:https://2024.artdesignchicago.org/event/pilsen-days-photographs-by-akito-tsuda/
LOCATION:Harold Washington Library\, 400 S. State St.\, Chicago\, IL\, 60605\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/Windy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240614
DTEND;VALUE=DATE:20240901
DTSTAMP:20260404T071755
CREATED:20231025T215228Z
LAST-MODIFIED:20240719T212320Z
UID:10130-1718323200-1725148799@2024.artdesignchicago.org
SUMMARY:Of Her Becoming: Elizabeth Catlett’s Legacy in Chicago
DESCRIPTION:Of Her Becoming highlights the printmaking\, work\, and impact of influential artist and activist Elizabeth Catlett (1915–2012) within an important site in Catlett’s career: Chicago’s South Side. The exhibition includes several of Catlett’s lithograph and woodcut prints as well as work of contemporary Black women printmakers on the South Side. Of Her Becoming sheds new light on the significance of Catlett’s time on Chicago’s South Side\, how this period revolutionized her artistic practice\, and how her practice still impacts artists and community organizers on the South Side. \nThe exhibition also features work by contemporary printmakers Angela Davis Fegan\, Krista Franklin\, and Rebel Betty. \nPresented at Arts + Public Life’s (APL’s) Arts Incubator Gallery\, an important community keystone of APL’s Arts Block\, Of Her Becoming engages APL’s neighbors\, youth enrolled in APL’s programs\, and local and regional artistic and scholarly communities. This exhibition and related programs offer lessons for today from Catlett’s legacy of advocating\, through her artwork\, for the well–being and advancement of her communities.
URL:https://2024.artdesignchicago.org/event/all-power-to-the-people-elizabeth-catletts-legacy-in-chicago/
LOCATION:Arts + Public Life at the University of Chicago\, 301 E. Garfield Blvd.\, Chicago\, IL\, 60637\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2023/10/jeff-landau-38-1-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20241116
DTSTAMP:20260404T071755
CREATED:20240530T194341Z
LAST-MODIFIED:20241031T142538Z
UID:12288-1718409600-1731715199@2024.artdesignchicago.org
SUMMARY:La Casa de Todos / Everyone's Home
DESCRIPTION:Comfort Station presents La Casa de Todos / Everyone’s Home\, an exhibition by Chicago-based artist Edra Soto. Soto’s practice draws from her Puerto Rican roots to instigate conversations about history\, diasporic identity\, and constructed social orders. La Casa de Todos builds on her ongoing project “Graft\,” which integrates architectural intervention and social practice. \nWith this public installation\, Soto invites the community to celebrate a shared home together. La Casa de Todos\, or “Everyone’s Home\,” reconfigures Via Chicago Architects + Disenadores’ work titled SCAFFOLD\, transforming its structure by overlapping abstract carved panels and delineating safe zones destined to house public gatherings and moments for celebration. \nThe decorative motifs carved to the panels are directly sourced from representations of rejas (wrought iron screens) commonly found throughout Puerto Rico. The structure’s multicolored palette\, a new approach to Soto’s work\, was sourced from the archipelago’s residential architecture. Her representations of rejas propose and celebrate the cultural value of Puerto Rico’s lower- and middle-class communities. Soto’s works investigate and make visible the relationships between Puerto Rican cultural memory\, its African and Black heritage\, and the threads of colonial historical lineage of the United States. \nBeginning with the exhibition opening on June 15\, Comfort Station is hosting a series of related performances and programming\, many of which are co-produced by the Palenque LSNA neighborhood association of Logan Square. \n  \nComfort Station presenta La Casa de Todos / Everyone’s Home\, una exposición de la artista basada en Chicago Edra Soto. La práctica de Soto extrae de sus raíces puertorriqueñas para instigar conversaciones sobre historia\, identidad en diáspora y ordenes sociales construidos. La Casa de Todos  se desarrolla sobre su proyecto continuo “Graft”\, el cual integra intervenciones arquitectónicas y la práctica social. \nCon esta instalación pública\, Soto invita a la comunidad a celebrar juntes un hogar compartido. La Casa de Todos reconfigura SCAFFOLD\, obra de Via Chicago Architects + Disenadores\, transformando su estructura al contraponer paneles abstractos tallados y delineando zonas seguras destinadas a albergar reuniones públicas y momentos de celebración. \nLos motivos decorativos tallados en los paneles son una referencia directa de las rejas de metal que se pueden encontrar por todo Puerto Rico. La paleta multicolor de la estructura\, algo nuevo en la obra de Soto\, hace referencia a la arquitectura residencial del archipiélago. Sus representaciones de las rejas propone y celebra el valor cultural de las comunidades de clase media y baja de Puerto Rico. El trabajo de Soto investiga y hace visibles las relaciones entre la memoria cultural puertorriqueña\, su herencia negra y africana y el linaje histórico colonial de los Estados Unidos. \nComfort Station está organizando una serie de performances y programas que comienzan con la inauguración de la exposición el 15 de junio. Muchos de estos eventos están co-producidos por la asociación de vecines de Logan Square\, Palenque LSNA.
URL:https://2024.artdesignchicago.org/event/la-casa-de-todos-everyones-home/
LOCATION:Comfort Station Logan Square\, 2579 N Milwaukee Ave\, Chicago\, 60647
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://2024.artdesignchicago.org/wp-content/uploads/2024/05/ComfortStation2024.06.15-4-scaled.jpg
ORGANIZER;CN="Comfort Station Logan Square":MAILTO:kitty@comfortstationlogansquare.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20241215
DTSTAMP:20260404T071755
CREATED:20240531T194114Z
LAST-MODIFIED:20240829T202751Z
UID:12305-1718409600-1734220799@2024.artdesignchicago.org
SUMMARY:Gagizhibaajiwan
DESCRIPTION:Presented by the Center for Native Futures\, the only all-Native artist-led arts non-profit organization in Chicago\, Gagizhibaajiwan considers depth\, duality\, and paradox in Anishinaabe art as expressed through images of Misshepezhieu\, the Underwater Panther\, and Animikii\, the Thunderbird. The exhibition features the work of four Anishinaabe artists: interdisciplinary artist Marcella Ernest (Gunflint Lake Ojibwe/Bad River Band of Lake Superior)\, sculptor Michael Belmore (Anishinaabe from Lac Saul First Nation)\, weaver Renee Dillard (Little Traverse Bay Bands of Odawa Indians)\, and painter Zoey Wood-Salomon (Wiikwemkoong Unceded Territory). Gagizhibaajiwan is curated by Lois Taylor Biggs (Cherokee Nation/White Earth Ojibwe) with curatorial mentorship by Kalyn Fay Barnoski (Cherokee Nation/Muscogee Creek).
URL:https://2024.artdesignchicago.org/event/gagizhibaajiwan/
LOCATION:Center for Native Futures\, 56 W. Adams Street\, Suite 102\, Chicago\, IL\, 60603\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/05/Zoey-Wood-Salomon-Journey-Across-the-Great-Lakes-2024.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240629
DTEND;VALUE=DATE:20240714
DTSTAMP:20260404T071755
CREATED:20240621T144432Z
LAST-MODIFIED:20240621T144706Z
UID:12448-1719619200-1720915199@2024.artdesignchicago.org
SUMMARY:Loose Feather Fan Workshop
DESCRIPTION:Join American Indian Center for an enriching two-session workshop (June 29 and July 13; 10:00 am – 3:00 pm) focused on the art of loose feather fan making. Led by experienced instructor Ronnie Preston\, this hands-on series guides participants through the intricate process of crafting traditional Native American fans. Each session offers a unique opportunity to delve into the cultural significance and craftsmanship behind loose feather fans. Whether you’re a seasoned artisan or a newcomer eager to learn\, this welcoming environment ensures a supportive and inspiring experience for all. Don’t miss this chance to connect with Native heritage and create a meaningful piece of artistry to cherish for years to come. \nParticipants should plan to attend both sessions. Registration is recommended.
URL:https://2024.artdesignchicago.org/event/loose-feather-fan-workshop/
LOCATION:American Indian Center\, 3401 W. Ainslie Street\, Chicago\, IL\, 60625
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://2024.artdesignchicago.org/wp-content/uploads/2024/06/Quill-WKSP_AIC-Gallery-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240706T140000
DTEND;TZID=America/Los_Angeles:20240706T150000
DTSTAMP:20260404T071755
CREATED:20240628T142415Z
LAST-MODIFIED:20240712T200131Z
UID:12497-1720274400-1720278000@2024.artdesignchicago.org
SUMMARY:Sala: A Living Room of Ideas (S2Ep5)
DESCRIPTION:Tune in to Lumpen Radio 105.5 FM for a live radio broadcast presented by Silvia Inés Gonzalez\, the administrator of POCAS (People of Color Artist Space). This episode features Chicago artists Elsa Muñoz and Rhonda Wheatley in discussion about healing modalities\, including the concept of eco-somatics\, the metaphysical realm\, and controlled burns. What transformations are possible when we are attuned to the guidance of our spirit\, body\, mind\, and connection to our larger environment? What can energetic work teach us as we transform into a more liberated frequency? \nElsa Muñoz is a Mexican-American artist born and raised on the South Side of Chicago. She credits her interest in both nature and healing to her experiences growing up in an underserved and often unsafe community with little access to green spaces. Having to spend most of her childhood indoors led to the cultivation of a rich inner world in which she was able to find beauty and sanctuary. Her work explores the threads connecting ecology\, personal health and spirituality. \nRhonda Wheatley is a multidisciplinary artist\, intuitive energy worker\, and educator whose installations and interactive projects are grounded in the speculative and metaphysical. As part of her practice\, Wheatley has also facilitated workshops centered in healing and personal transformation with organizations and academic institutions including Creative Capital\, Ox-Bow School of Art\, The University of Chicago\, Threewalls\, 3Arts\, DePaul University\, Indiana University\, Chicago Artists Coalition (CAC)\, 6018North\, and more. Additionally\, she teaches at Hyde Park Art Center (HPAC) and has taught contemporary art at Indiana University Purdue University\, Indianapolis. Wheatley currently serves as Resident Healer with the Art Design Chicago “Healing Centered Practices” pilot event series. She was a 2023 Jackman Goldwasser Radicle Resident at HPAC and a Loghaven Fellow and received CAC’s inaugural Coney Family Award and a 3Arts ‘Make a Wave’ Grant. She received her MA from DePaul University and BA from Loyola University. \nSala is an ongoing talk series anchoring the stories of artists in Chicago through topics such as grief\, labor\, immigration\, and movement building. The multimedia project\, now in its second season includes radio interviews\, public programming\, and an archival self-published zine is supported by Hyde Park Art Center’s Artists Run Chicago Fund as part of Art Design Chicago.
URL:https://2024.artdesignchicago.org/event/sala-a-living-room-of-ideas-s2ep5/
LOCATION:105.5FM Chicago or lumpenradio.com
CATEGORIES:Talk
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/06/Sala-Rhonda-Elsa-1.webp
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DTSTART;TZID=America/Los_Angeles:20240706T180000
DTEND;TZID=America/Los_Angeles:20240706T203000
DTSTAMP:20260404T071755
CREATED:20240603T183542Z
LAST-MODIFIED:20240703T213315Z
UID:11392-1720288800-1720297800@2024.artdesignchicago.org
SUMMARY:Venerate\, Venerate! – Closing Reception
DESCRIPTION:Join The GREYSTONE Collective for the closing reception of Indelible ORIGINS | Place + People: Venerate\, Venerate! a solo exhibition by Chicago-based writer\, maker\, and cultural-worker\, Talia Kimberly Wright. \nUtilizing memory\, word (oral and written tradition)\, and material object\, Wright’s work aims to bridge the gap between the ancestral\, traditional\, and regenerated lives of African Americans who have been a part of the Great Migration. Venerate\, Venerate! explores the temporality of domestic spaces and the relationships built within them. Wright draws from a wealth of personal archive\, research\, memoir\, and visual practice––paintings\, sculpture\, and artists’ books––in order to venerate these well-loved spaces and the connections formed within them. \nIndelible ORIGINS | Place + People is supported by Hyde Park Art Center’s Artists Run Chicago Fund as part of Art Design Chicago. \n  \n 
URL:https://2024.artdesignchicago.org/event/venerate-venerate-closing-reception/
LOCATION:The GREYSTONE Collective\, 4733 South Forrestville Avenue\, Chicago\, IL\, 60615\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/webp:https://2024.artdesignchicago.org/wp-content/uploads/2024/03/Venerate-Venerate-closing-reception.webp
ORGANIZER;CN="The GREYSTONE Collective":MAILTO:thegreystonecollective@gmail.com
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